• Long out-of-print album marking the watershed of Harari’s evolution from Soweto soul (as The Beaters) to the afro-centric rock and funk that brought them fame and changed South Africa’s musical landscape forever
• Reissued with printed inner sleeves containing notes by “Soweto Blues” author Gwen Ansell and archival photography
• Audio remastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany
Includes unlimited streaming of Harari
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
This has become one of the most important albums of my life. It’s essence is indescribable. Every sound from the start of the record through the end is placed delicately and with care. The album cover is by Julie Mehretu. It’s absolutely an incredible release for which I shall be eternally grateful. Aniket
This album is a fresh take on the long cross-continental dialogue between Black American jazz and West African popular music. Bandcamp Album of the Day Jun 19, 2020
Tamar Osborn returns with an EP on which she covers Miles Davis and continues to push and reshape the sound of jazz. Bandcamp New & Notable Dec 17, 2017
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell